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The Creative Writing MFA Handbook: A Guide for Prospective Graduate Students ReviewWhat I liked about this book: It surveys more programs than Amy Holman's "Insider's Guide..." book, it's concise, it deals majorly with funding (which some people did not appreciate on the reviews, but I'm guessing they're the ones to whom money is not an issue) and it gives some good general advice on the application process.What I did not like about this book: In his reviews Kealey makes such comments as "easily a top ten school" or "top five program", etc., but does not give clear guidelines as to why. Neither does he give a listing of schools by Top 5, Top 10, etc.. He's entirely too glib and subjective in some of his reviews (I know it's ironic, but a guide to Creative Writing MFA programs should NOT be a creative writing project but a more 'to-the-point' reference work) and the interviews he includes are usually self indulgent and easily skippable stuff with any good advice being entirely generic.
Still, it's one of the two best books on the subject (the other being the Amy Holman book that this is sold in tandem with) and has enough good information (and enough unique from Holman) that in the absence of better guides I recommend its purchase to anybody considering MFA programs.
If Mr. Kealey or Ms. Holman reads this I strongly urge them to revise their works into a more straightforward guide that includes more detailed narrative descriptions of individual programs. The ideal book would also have charts of ranking (along with explanations of the rankings) and cross-reference programs by residency status, length of program (they range from 1 to 3 years, that is a very important consideration), financial aide (one of the strengths of this book), concentration of the program (i.e. "what's a good program for creative non-fiction?" or "good for fiction writers, poet's not so much") and other criteria.The Creative Writing MFA Handbook: A Guide for Prospective Graduate Students OverviewThe Creative Writing MFA Handbook guides prospective graduate students through the difficult process of researching, applying to, and choosing graduate schools in creative writing. The handbook includes profiles of fifty creative writing programs, guidance through the application process, advice from current students and professors including George Saunders, Aimee Bender, Tracy K. Smith, and Geoffrey Wolff, and the most comprehensive listings of graduate writing programs in and outside the United States. The handbook also includes special sections about Low-Residency writing programs, Ph.D. programs, publishing in literary journals, and workshop and teaching advice.
In a remarkably concise, user-friendly fashion, The Creative Writing MFA Handbook answers as many questions as possible, and is packed with information, advice, and experience.
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